Sunday, May 31, 2009

SYMPHONY OF GRIEF-demo tape(1993)

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01.infernal creation
02.assimulation of souls
03.cerebral hemorage

I bought this one on a whim in Long Island on a record shopping spree I was on with my buddies Artie and Ron.
The band as you could probably guess play a pretty awesome style of doom/death metal. Most the songs are played heavy and slow, with some sudden bursts of speed thrown in here and there. I'd say they are a pure mixture of Incantation and Grief. Semi Obscure shit for sure, these dudes were from Riverside NJ. This is their second demo, they also released a few 7"s, but broke up in around 1996. Cool stuff for sure.

http://www.mediafire.com/?5zemzzzz40e

Wednesday, May 20, 2009

TOKYO BLADE powergame 7" (1983)

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01.powergame
02.death on mainstreet

Tokyo Blade were a second tier nwobhm band that were formed in 1982 in the UK. The band was wicked melodic, sort of power metalish, yet with a tinge of rawness(on the first 3 7"s at least). This is the bands third release, and third single. You definitely get a sense that these guys were influenced by the likes of Maiden. I'd say they heard them, and decided to form Tokyo Blade. I don't know to many friends that dif or dug these guys cept myself, Jeff Jellen, and maybe "dirty" Ron Gramaldi.
Another record I purchased at the Strawberry's records and tapes in Guilderland NY. I'm guessing the band photo on the back cover persuaded me to buy this ep. I think I liked these guys so much, that I bought both the LPs that followed this ripping single. This is the kind of stuff I'd blast on my shit little stereo after getting out of school. Blast a few songs of nwobhm, go out and burn one in the woods, come back in blast a bit more metal and then eat a box Coco Puffs, Captain Crunch, or Quisp.

http://www.mediafire.com/?m2wwvjwyl2i

Tuesday, May 19, 2009

CCM into the void LP (1986)

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1. Feel Like
2. Enemy
3. Sterilized
4. Sorry
5. R.M.
6. Daymare
7. Romeo & Juliet
8. Strange Pain
9. Crushed By the Wheels of Industry
10. Into the Void

I feel like I should be posting some metal cause I'm going to see Saxon tonight. Fuck it, I've been listening to this hardcore tasty platter all weekend.
Cheetah Chrome Motherfuckers were maybe the 3rd or 4th Italian Band I'd ever heard. I think my initial exposure to them was from the almighty "peace compilation" dbl LP in 1985 or '86. They were also featured on a number of tape comps that I recall being passed around and traded back then. By the time I was getting into these guys, the 7"s were already sorta hard to find, and long out of print. The singer was supposedly a maniac live, cutting himself up and shit. When I got this LP the pictures on the inside sleeve made the dude look seriously sick. This was the sorta band I wanted to see live. I had already seen Raw Power at the farm, but I was dying to see CCM, the Wretched and Negazione live. Italy was the shit in the early to mid 80's. As I recall many die hards were sorta let down by this LP, not me, It's fierce and noisy.
This album got pumped alot in Niskuyana NY in 1989. I had just moved back to Albany from SF and had made friends with a bunch of punks that actually "got it". Most the other people I'd met were like NYC moshcore fanatics that seemed more interested in the violence or fighting at shows rather then the community, and the music. I'm talking about my friends, NIck, Mike J, Damon Douglas, Steve Watts, Neil Grimmer, Luke, Roger, Adam O'tool, Josh Baker, and Kevin O Sullivan. These dudes actually "got it". We would party at Damon's parents pad, listening to good music, smoking the hookah, and planning on how we would "take over" the local hardcore scene. This album was a sound track to that friendship, and those hang outs. If I recall correctly Damon bought like three copies of this LP from Timojhen at Blacklist Mailorder? Any how that is how I ended up with my first copy.

Strange pain
It's here it's in my head
Something that's gonna kill me dead
STRANGE PAIN
Driving me insane
I'm already drowning in my brain
I hear faces playing dice in my veins
My head is gonna crack
So many things making me bleed from inside
Another door's slammed on my face
You know I'm trapped forever in this cage
CHORUS
Red lights blue lights
Flashing fear
"There's too much noise" and you don't bother to hear
Somebody else's kicking my face
Another suicide and not even a trace
CHORUS
I thought we were walking together
Fighting for our very life
I guess now something was wrong right from the start
And now the pain is tearing me apart
And it's too late
JUST DISINTEGRATE!

http://www.mediafire.com/?j2ngqymgmmh

Thursday, May 14, 2009

RAVEN hard ride 7" (1981)

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01.hard ride
02.crazy world

Raven were the shit to me in the early 80's. They were a three piece with two brothers playing bass and guitar(the Gallagher Bros.). They formed in New Castle I think in around 1976. They started off as part of the NWOBHM scene in the late 70's into the early 80s, and then moved more into the speed metal vein, even touring with Metallica(when they were still gods). I Definitely think these guys were underrated and helped to create speed metal. I mean come on man, the Rock until you drop LP was released in '81, and was crucial for the time period. I don't think Bands like Kreator would have even formed if it weren't for shit like this. Its hard to fathom why people don't give these guys the credit they deserve. I mean I get it...Unfortunately they put out a bunch of really bad records after the almighty "all for one" LP.
When I hear the screams during "crazy world", it makes me fucking happy, and I wanna lose it. Early on though, when they were on Neat Records and putting out singles, they really had a punk type attitude, and look to them. The logo was so awesome looking. This is about as as These dudes were one of those UK bands that made me discover, and kept me buying the Neat Records eps. I could usually find them at Strawberry's Records and Tapes in Colonie NY. I'd have posted the 1st single instead of this one, but its already on another blog I follow. These songs both later came out on Rock until you drop. Enjoy.

http://www.mediafire.com/?14ykyy5oejz

Saturday, May 9, 2009

the DETONATORS emergency broadcast system LP(1983)

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1.condemned to freedom
2.crime and punishment
3.angry young men
4.cloak and dagger
5.life is hell
6.mindless control
7.we're waiting
8.black and white
9.push us in, push us out
10.open your eyes
11.not valid
12.guitars or guns
13.do you understand?

I was turned onto the Detonators by the guitar player of Operation Ivy in perhaps 1986-87. The Dude was known as Lint back then, and was at almost every punk show in the Bay Area back then. I can recall him always buzzing around the audience at Gilman Street and just chatting it up with fellow punks. Lint had a true love for the scene back then, it was obvious when you talked to him. In one conversation I had with him about older California punk bands, he mentioned the Detonators. He gasped in aw when I told him I'd never heard them, and then went on to tell me that how his band was hugely influenced by them more than any other bands.
I later bought this LP at a record shop in Livermore California, and realized I had actually seen the Detonators at the Farm.
The Detonators started off as an L.A. punk band, then moved to Portland Oregon. When I listen back to this I can hear some skinhead influence on the band. Side 2 has riffs that really do seem stolen by op iv. Enjoy the core.

http://www.mediafire.com/?tj4vxvuiywj

Tuesday, May 5, 2009

HOLOCAUST live from raw & live tour 7" (1981)

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1.lovin feelin danger
2.no nonsense
3.death or glory
4.forcedown breakdown

Holocaust and Mythra would be my two favorite "under the radar" New Wave Of British Heavy Metal bands(meaning I'm not including the obvious Iron Maiden, etc). These kids really thought they were part of a movement, though this movement didn't have much of a social or political agenda(like punk). Dudes just wanted to bring metal to the masses, and have fun playing great music and partying hard.
This ep includes four songs recorded live in 1980. The sound is amazing, and one can see how people had become excited about these guys. You can also hear the influence these young gents had on the likes of Metallica. The guitar solos at the end of the ep on breakdown were ripped by Metallica for sure. People always mention Diamond Head when talking about Metallica, I hear Holocaust. I spin this one often as you can tell by the rip. There is also video from this show that is pretty amazing. Its available on Dvd, I've seen it on Netflix oddly enough. The lyrics to death and glory are simply amazing....Enjoy.

Death Or Glory

I get so bored
Going nowhere...pissed off with life
Don't need no girl to hold me...
I only love my knife
When it's night
And I'm out on my own on the street
There's murder on my mind

I don't hate authority...
They know I'm not all bad
I know that nobody loves me...
It don't make me sad
I'm gonna stand up
To the ones who bring me down...
Murder on my mind

I can feel it now
It grows stronger every day
And my hatred grows
More and more in every way

Sing a song of death and glory
Sing a song of spite
Sing a song of good and evil
I'm gonna win my fight
I just wanna flush the shit from the street...
Murder on my mind

http://www.mediafire.com/?jc2mtzbycto

Monday, May 4, 2009

SINISTER s/t 7" (1990)

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1.compulsory resignation
2.spiritual immolation
3.putrefying remains

I really stopped paying attention to most death metal in around 1993. The production, and the sounds of most bands started to sound exactly the same, with almost no variations after a while. There didn't seem to be much new happening, 'cept maybe for the over use of drum triggers. I was turned onto early death metal through my early love of metal of course, but also it stemmed from the UK stench and crust scenes of the late 1980's, and was just sort of a gradual progression I think.
Sinister were from Holland, and definitely had that Possessed, Napalm Death, Deicide, Cannibal Corpse vibe going, but added their own twist to it. Pretty sure the bassist was like 15 years old on this release.
My old band Monster X was influenced heavily by this stuff. "cross the styx" blew our minds, and John def tried to sound vocally like this. Many years later, when I was recording a Oath record in Holland, I noticed Sinister records on the wall, and commented on them to the Engineer who went on to tell me they recorded there. I was stoked. I like to blast this in my headphones when I go to the gym. It pumps me up.

http://www.mediafire.com/?yi1m9wdbo40

Sunday, May 3, 2009

SLEDGEHAMMER living in dreams 7"(1980)

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1. Living In Dreams
2. Fantasia

Sledgehammer were of the originators playing that important first wave of the NWOBHM. They formed in 1978, and played their very first gig with almighty Motorhead. This record is this three piece bands second release, and isn't all that "heavy", but still through its roughness fits into that scene. The self financed ep was released after the hype the band got from their appearance on the Compilation "Metal for Muthas".
Through that compilation is how I'd heard of the band, and picked up this single. I don't think I went any further in uncovering any of the bands later LPs or anything because by this time I as looking to move forward into heavier/faster stuff. Maiden was already on my radar, and had developed speed, gallops, and heaviness(while still rockin). In "Livin in dreams" the vox sorta remind me of Roger Daltrey singing to some faster/heavier hardrock. The riffs in both songs on this ep are pretty memorable for sure. Enjoy.

http://www.mediafire.com/?mqm9ggmpt0y

Wednesday, April 22, 2009

MYTHRA- The Death & Destiny EP (1979)

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1. Death And Destiny
2. Killer
3. Overload
4. U.F.O.

To some This is really the holy grail of NWOBHM 7"s. It is definitely one of my favorite metal eps for sure. I only wish the copy I had was the picture sleeve edition. I live in Brooklyn NY now and have given up on ever finding the pic sleeve, because NYC sucks for record stores. Supposedly there were like 15,000 copies of these pressed on the Guardian label(not with the cover of course). Hard to believe that, but the band was pretty popular in the underground pub scene of their hometown in Newcastle(and in the UK in general). The second song "killer" is my favorite off of this slab. You can tell that Holocaust, Maiden, and even Metallica had been influenced by these 16 and 17 year old kids. Many reviews compared them to Judas Priest early on. I don't really see it, I hear more Diamond Head in this stuff. Rumors were that the band lost the master tapes of all their early recordings to a members asshole uncle that recorded them.
I got my copy of this for free at a local Ithaca NY record store that no longer exists. I recall I hit the store one day with some friends at 14 years old after scouring the commons(a Ithaca walkway) for trouble to get into. I remember buying a copy of Judas Priests Rock o rola at the store, and the punk rocker working behind the counter threw a copy of this single in the bag with the Priest LP. I think this was one of the first metal eps I'd gotten, and it sorta put me on the road to collecting Neat Records eps. I think this got more rtation on my turntable then that peticular Priest album that I'd bought. Weeks later I went back to the store to thank the punk for the tunes, and was "shocked" to find out he'd been fired. I never got to thank him, or tell him how rad I thought the ep was.

http://www.mediafire.com/?qhyjwoqjemz

Tuesday, April 21, 2009

HOSTAGES OF AYATOLLAH Hallo Nachbar 7" (1985)

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1. Voulez Vous
2. Hallo Nachbar
3. In meinem Zimmer
4. Oh Mama
5. Geh doch nach drueben

HOA were another of the West German hardcore bands from the mid 1980's that has always been overlooked, and in my opinion underrated. The bands live shows were said to be awesome and filled with tons of angst and youthful energy(much like what was happening in the States at the time). As I stated in the Sons of Sadism post, I bought this used for like a dollar on my way back to Albany NY from Northern Cali along with the SOS ep. I loved my German stuff, and the name was really cool at the time, so I wasted no time grabbing this slab. The band went on to do a split LP with Manson Youth who were also a German band whom was also on my radar. The title track to the ep is the winner on this ep, the guitar riff and tone are just perfect.

http://www.mediafire.com/?n1ebsyzddzn

Monday, April 20, 2009

WARNING s/t LP (1982)

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1.rock city
2.commando
3.serie noire
4.fire fire
5.speed moi
6.bahamas memorial
7.strange way of love(69)
8.sexy lube
9.planete reverse

The french definitely were never really known for good metal nor punk,Its a sad fact. The french unfortunately are known as pussies, and everyone knows it. Every once in a while, a very rare once in a while they could surprise you with something that you might dig though. Warning and Trust were two of those early French metal bands that I can stomach, and it prolly has more to do with nostalgia then anything else. I discovered these frogs as a teenage high school burnout who liked the killer "bird" artwork...ha ha. I think I was looking for obscure International type metal, and maybe discovered these guys and Accept at around the same time. Strangely enough these guys sound a lot like early Accept, cept this guy can really carry a scream. The Vox always sounded harsh to me with a lot of these bands that sang in their native tongue, making the stuff a bit harsher then it actually was. Warning were melodic and a mid paced sounding traditional heavy metal band that still gets me singing along to the chorus's, while laughing at the singers killer accent. I love hearing the singer scream "COMMANDO", or "FIRE, FIRE"!!! It still gets me laughing 25 years later. Speed or thrash metal elitists will hate this record as it has elements closer to hardrock. Fire Fire actually has a skip in it. My apologies. I left off Speed-moi as I had some issues with the rip.

http://www.mediafire.com/?jjmbnndxlvy

UF0 boogie for George/follow you home 7" (1970)

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1.boogie for George
2.follow you home

Okay, this is about as early of music that you'll ever see posted here. These guys were a band I dug in the early 80's, although it was the Schenker years that I was exposed to back then. The MSG UF0 stuff was a lot more metal then this heavy psych stuff. When I finally was exposed to this stuff I got really into it, and can't even be bothered with the later stuff anymore. If you haven't heard the stuff, don't sit on it, its crushing for sure. Unfortunately these guys only did 2 albums with the guitarist that played during this era. The music had a very heavy Sabbath vibe. Its easy to see how bassist Pete Way went on to influence the likes of so many NWOBHM bass players including Steve Harris. I have no idea how this Japanese pressing ended up in my collection, seemed I bought it years ago and never realized how great these guys were before filing the sucker away.

http://www.mediafire.com/?njtl2mylz1z

Sunday, April 19, 2009

CLOVEN HOOF s/t LP (1984)

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1. Cloven Hoof
2. Nightstalker
3. March of the Damned
4. Gates of Gehenna
5. Crack the Whip
6. Laying Down the Law
7. Return of the Passover

I first heard these UK bastards in around 1985 or 1986. What attracted me to them at this point was their satanic/fantasy imagery, and the name. The songs were brilliant in that basic second generation NWOBHM sound. You could tell these guys were influenced and had huge man crushes on the likes of Budgie and Diamond Head. The gallops that these guys pull off on "cloven hoof", and "gates of gehenna" are triumphant in every way(like those early Maiden gallops). "Crack the Whip" sounds now very AC/DCish to me, its sort of a weird track on the album. Pretty sure the vocalist only appeared on this and the first 12", and then quit the band. Finding copies of these records can be difficult as hell. I got mine second hand from a friend/band mate in Latham NY named Mark Szwarcberg who had later moved away from metal, and joined the Marines. I haven't seen him in well over 20 years. Mark was a bass player, and his brother Dave was a godly guitarist. We would spend our days after school jammin on metal songs that we wrote in a basement across the street from his parents house. The stuff started off as more traditional/simple metal(like the stuff Cloven Hoof were playing), then gravitated towards faster speed metal/thrash styles. These two brothers went on to start Horrid Blessing(a name I came up with).

http://www.mediafire.com/?lmttngmmn3y

Tuesday, April 14, 2009

WITCHKILLER day of the saxons 12" (1984)

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1.Day Of the Saxons
2.riders of doom
3.cry wolf
4.beg for mercy
5.penance for past sins

Time for some metal my brothers... I've been neglectful of the blog recently due to work related shit, my apologies. The good news is that I've seen a couple of great metal shows last week. I Saw Kreator with Exodus...that was fun, even saw some friends that I haven't seen in eons there. Next up I saw Napalm Death here in NYC with Toxic Holocaust, both bands killed as did Kataklysm.
WitchKiller were a band that a few of us listened to in high school(Pat J, Dave S and Mark S). When I graduated, my friend John H had a killer party that I'll never forget. I brought with me a sheet of dose, and handed it out like candy to my friends. By the end of the night John and I were the only ones left, and were walking the streets of Latham NY carrying an almost kicked keg, drinking straight from the tap. Coming down off of our trip at daybreak I started blasting metal in his basement. It started with Merciful Fate, but this shit freaked out John, and gave him a bad trip. Dude was a Aerosmith Zepplin sorta dude. He really had a freak out that I'm sure makes him cringe anytime he hears Fate. On the other side of the tape I had this Witchkiller 12" recorded. Though the band wasn't as satanic, or harsh sounding as Fate it still had John messed up. We had to move on to watching cartoons. When ever I listen to Merciful Fate or Witchkiller it has me recalling the trip I had on graduation night.
Witchkiller were from Canada, and played a pretty traditional style of heavy metal for the time period. Melodic, mid paced with cool vocals. Fans of Manowar, and Exciter should dig this shit. This is the bands only release that I know of.

http://www.mediafire.com/?geywncomjzn

Saturday, April 4, 2009

SONS OF SADISM play loud 7" (1985)

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1.s.o.s.
2.ignorant
3.millionen
4.syndikat des untergangs
5.no future
6.am rande des ruins

Anyone who knows me, or has been keeping up with this blog knows how much I loved German hardcore punk and thrash metal back in the day. It was my fetish in the 1980's. This is a second copy(spare of this ep). I first heard it after randomly picking it up used at a record store in the mid west, on a drive I made when I moved from Northern California to NY. I picked up the Hostages Of Ayatollah 7" as well at the store. I was already into my German stuff, so when I saw the address, and date I knew I needed this $2 7". These guys had a impact on how I attacked the bass. I was a guitar player, but played bass in a band called Intent in 1990. I loved the fact that you could actually noodle about, and play melodic type scales in fast riffs. S.O.S. made me realize you could do that in hardcore. This stuff is mainly faster, yet catchy hardcore that is sung in German. These were still the days when the wall existed between East and West Germany, and the cold war was still in its prime. I think this is what made underground music so angry and good in Germany back then. People were frustrated.. Through buying random private press records like this, I made many friends, over seas pen pals that turned me onto weird obscure international stuff. Enjoy.

http://www.mediafire.com/?nnzummdm22z

Sunday, March 29, 2009

WHITE ASH s/t 7" (1983)

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1.live with rock n roll
2.the spell

White Ash were a pretty obscure NWOBHM sounding band that hailed from Detroit Michigan in the early 80's. To my knowledge these gents only ever put out this one single. I don't even think there was a demo, two songs documenting them, that's it. Kind of crazy. I had never heard of them until my buddy Paul, who now lives in Michigan found a copy of this at a local record store for a measly dollar. The last time Paul came out East to visit friends he brought a copy of the record for me to have because he's a rad dude, and knew that I would appreciate this weird 'ol gem more than anyone. When I saw him, and he handed it off to me, I asked him if it was good, and he simply replied with "no, not at all". He told me the only reason he grabbed it was because of the lyrics to the song "the spell"(satanic type lyrics). Well my boy Paul isn't a metalhead, and def comes from more of the punk scene, so I can totally understand how he might think this shit is weak, and funny. Me, when I threw this on my turntable I was in absolute heaven, as it reminded me of early Neat Records type metal that I had grown up listening to in the early 80's. Side A "live with rock n roll" is the winner for sure, and is so good that I think it makes "the spell" disappointing. This record came out on some small little private press label called Paragon Records. Some dude probably has like 200 copies sitting in a closet some place in the mid west. Cheers Paul! Thanks man.

http://www.mediafire.com/?x1xjqdjny30

Wednesday, March 25, 2009

CLEANSE THE BACTERIA compilation LP (1985)

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Side one
1. 7 Seconds: "Regress No Way", "We're Gonna Fight"
2. Civil Dissident: "20th Century Holocaust Pt. II, Death for a Buzz"
3. Instigators: "53rd State", "The Blood is on Your Hands, Free (You're Not)"
4. Siege: "Sad But True", "Cold War", "Walls"
5. Corrosion of Conformity: "Kiss of Death"
6. Crude SS: "Nazi Go Home", "Spräng Alla Kommunhus"
7. Akutt Innleggelse: "Tenk NÃ¥!"
8. The Execute: "Slash" (Live)

Side two
1. Part 1: "Black Mass"
2. Poison Idea: "Typical", "Die on Your Knees"
3. Genocide Express: "Genocide Express", "Factory"
4. Inferno: "Wir Sind Schon Tot", "Freitod"
5. Mob 47: "Fred & Rättvisa", "Sjuk Värld", "Nedrusta Nu", "Snuten Styr"
6. Septic Death: "Terrorain", "Change"
7. Enola Gay: "Grav Et hul", "Enola Gay"
8. Holy Dolls: "Beast of the Apocalypse"
9. Zyklome A: "People Die", "Angry Face"
10. Extrem: "Nazi Raus"

I Can't really remember where I discovered this classic compilation, but I'd guess it was in Thrasher Magazine, or maybe Maximum Rock n Roll. I know that when I saw the artwork I was in aw, and it looked so metal to me that I knew you couldn't go wrong buying the record. This one is as important to my varied international taste in music, as the Peace comp, or the Welcome to 1984 compilation.
I was already familiar with and had seen C.O.C., 7 Seconds, Septic Death, and Poison Idea, but being exposed to the likes of Crude SS, Siege, Inferno, Mob 47, the Execute, and Extrem was just mind melting back then. I soon was out buying other international compilations, and records by bands throughout the entire world. I think I wrote to every bands address on the back of this record. For me it was the first time I'd written to Holland, Sweden, Austria, and Japan looking to buy punk records & demo's.
Seems so unreal to me 25 years later that we didn't have computers, or cell phones, but instead wrote letters to people who possibly didn't speak the same language, and might not get the letter. We'd just stuff an envelope with a letter, $3 dollars and some stamps in hopes that we would hear back from bands half way across the globe. I spent a lot of time doing this, as most of us did in these days. It truly was difficult to find and expose yourself to new and different music back then. I'd have been lost with out the likes of Pushead, Tim Yo, etc. People who lived outside this bubble clearly thought people like us were crazy to be spending so much time, and obsessing over something that seemed so under the radar.

http://www.mediafire.com/?hdmzwywgvky

Monday, March 23, 2009

FLITOX no1 7" (1986)

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1.No.1
2.Olga
3.charivari
4.tout pou plaire

Flitox were an average French punk band. France has never really been all to known for having the best music come out of the country. This is the bands debut record. They put out a LP that was good as well. Mid paced, Catchy L.A. sounding punk, with lots of melodic guitar leads is how I'd describe the bands sound. I don't think I'd ever had discovered this record if it weren't for my band mate/friend Michael Roy. Michael was a French punk who was living in the states illegally in 1986-88, working construction/painting houses. My buddy Zoran met him at a show, and brought him back to my apt in S.F. to try out as bassist in our band the Romper Room Rejects. When I told Michael that I'd never heard any good French punk, he somehow came up with this record for me, bringing it over to my pad for me to listen to. After I acknowledged that there might be a few ok French punk bands, my buddy told me I could keep the record. It is hard to believe that its been with me for 23 years now. I have no idea what happened to Mr. Roy, I haven't heard from or seen him in over 20 years. Cheers my friend!

http://www.mediafire.com/?jxy9njezmz0

Monday, March 2, 2009

CASBAH russian roulette 7" (1986)

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1. Russian Roulette
2. death metal

I first read about Casbah in one of Pusheads columns back in the mid 80's(Prolly Puszone). The way he described this Japanese thrash metal band I knew I really needed to hear them. It really did take me forever to finally find the ep by these guys, but it was so fucking good that it seemed well worth the wait. I ended up buying it used at Reckless Records on Haight street for pennies. Some metalheads might find this to primitive and raw to be considered metal. To me It borders right on crossover thrash, mixed with maybe Kreator, and them being Japanese just ads to the frenzy. I know when I finally did get this, and blasted it for my buddies like Zoran, and Kenny(who were true metal types), they thought it was a hardcore band. This was one of the few Japanese bands that I had some knowledge over my Japcore fiend friend Louis J. I recall him telling me "dude... If you like this stuff, you are gonna love this". He would then blast the likes of Gism, Gauze, SoB, and Lipcream for me. The second part of the solo in Russian Roulette makes me want to get out my guitar and learn how to play it.

http://www.mediafire.com/?tj1meztomlv

Sunday, March 1, 2009

TOXIC HOLOCAUST death master 7" (2003)

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1. death master
2. Metal attack

This is another record that I'm pretty proud to have been part of. I was introduced to Joel/Toxic Holocaust through Yosuke of Nuclear War Now Records. Yosuke had turned me on to the one man band, and put me in contact after I gushed over how the stuff he'd played me just simply reminded me of every great thrash metal record I'd heard in the 80's. Think Destruction, Sodom, Bullet belts, bowls, beers, and partying in the woods. These are the things I thought of when I heard Toxic Holocaust. It took me back two decades, and made me feel really good again. Total shivers up the spine, and very nostalgic for me. After Talking to Joel, and realizing he was a totally awesome dude, who came from the punk scene, we decided to do this 7" together.
Later Joel came to Albany NY to play a Fest for my label. It was truly awesome to see this dude live. I think its great that Joel has had so much success, and gets the support of people to play the music that he loves.

http://www.mediafire.com/?ywkxwgtmxyf

Wednesday, February 11, 2009

FIST Back With A Vengeance LP (1982)

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1. Turn the Hell On
2. S.S. Giro
3. Too Hot
4. Lost and Found
5. The Feeling's Right
6. Dog Soldier
7. All I Can Do
8. Devil Rise
9. Going Wild Tonight

Okay, back to some metal after that Life's Blood Interview. Seems like it was well received, so it is something I might be into doing more of on here.
Fist were a classic New Wave Of British Heavy Metal band that put out some quality 7"s and at least one great LP. They formed in the late 70's. I ended up with the bands debut 7" "name rank and serial number" in around 1981 or 1982 from a Strawberry's records and tapes. It took me another a year or so before I picked up this classic. Back then I was a sucker for anything Neat Records put out. I'd start with bands i'd never heard of, buying the bands 7". After I gaged it to see how much I dug them I'd pick up the LP by these bands. Not the heaviest thing in the world now a days, but in 1982 I didn't know any better, and it was hard to find really heavy music. The name, and the record covers always made me think this shit was hard sounding metal. Along with My step Brother Ethan, and my real Brother Brian, we would make these weird assed tapes when we were kids. They would be fake radio shows with dirty language, lots of sex jokes, and with famous guests (who we would of course impercenate). I was mainly in charge of the music and can remember blasting lots of Fist on this show. Both my brothers trusted my judgement of music. Like I said, this isn't the heaviest of metal, but its pretty feel good hard rock that keeps you humming and tapping along.

http://www.mediafire.com/?4qtyz5tmt3w

Saturday, February 7, 2009

LIFE'S BLOOD defiance 7"(1988)

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1.never make a change
2.left me behind
3.stick to it
4.guilty as charged
5.youth enrage
6.not for the weak
7.catch our breath
8. it's not in your heart

I Uploaded this classic NYHC 7" to go with the Jason O'toole interview below. For anyone that has never heard Life's Blood, you really need to. Angry hardcore ala late 80's!! Read on...

http://www.mediafire.com/?ahdzny2mnnx

LIFE'S BLOOD interview with vocalist Jason O'Toole 2009
















Life's Blood live at WNYU, circa 1987

I moved to Albany NY when I was in 9th grade...Met & made some friends involved in the punk scene later on in my youth. One of those friends was Adam O'toole who played in a punk band with me..through Adam I met and befriended his big brother Jason who sang for the legendary NY hardcore band Life's Blood. I thought people who might be wondering whatever happened to these guys, and Jason in particular might get a kick out of hearing from him. Love him or hate him, he sang for fucking Life's Blood. I put this together fast, and hope people that read my blog find this to be interesting. Thanks to Jason for the interview...2/06/09

Nate-Jason, the Last Time I think I saw you, and we got to talk was in 1996 at my comic book shop in Albany NY. You were buying some Eightball comic books... What have you been up to since then? Is it True that you are a Sheriff now? Lots of punks are gonna hate your ass now dude... tell us about your life since the late 80's.

Jason-I moved around a lot since leaving New York in 1994. I lived in Texas, where I began my career in law enforcement. I met my gorgeous wife Andi in Austin a few years later and we moved to the Atlanta area when her father had a relapse with cancer. (He made a full recovery) Then I did some secret squirrel stuff before and after 9/11 and spent time in New Orleans and The Space Coast. I’ve been back in the Atlanta area for a few years now, where I am a deputy sheriff. We have two young kids and I wanted a job that would keep me home more.
Lots of punks can kiss my Irish American ass if they hate me for being a cop. They can take a number and get in line with all the dope dealers, burglars, car jackers, rapists, child molesters, ID thieves, bank robbers and other assorted vermin I nab every month by the dozens. I’m third generation law enforcement and my family tradition and dedication to serve my community takes precedence over the baseless opinions of a few people who wouldn’t have the courage to say it to my face anyway.


-Does anything from your punk rock past, or your being involved in the hardcore scene have any influence on the way you deal with these "vermin"?

The hardcore scene gave me early exposure to, as my song said "people from all walks of life." It broke down the barriers between race, ethnicity and economic class - and we formed friendships based on who we really were inside. Learning never to discriminate based on these artificial walls human beings construct gives you a truer picture of reality. And whether I am in the poorest neighborhood or a subdivision of multi-million dollar homes, I treat everyone the same - and this leads to success in getting the information I need to get my job done. It should surprise no one that some of the worst fugitives I track down live in mansions that my own house would fit in five time.

-Okay... I know, and some people out there know that you knew Sam McPheeters from growing up together in Albany, doing a fanzine together, going to early shows together, etc. Could you describe to kids the way things were back then, and why/how did you guys bond as best friends?

-Sam and I met in summer camp in Albany, NY as tweens, and we became close friends when he transferred to the prep school I attended. We put out a strange, photo-copied fanzine full of comics, collage, and assorted reviews of records and TV shows, called “That Wretch’d Magazine,” which later became “The Plain Truth – A Fanzine of Understanding.”
We discovered hardcore through some slightly older students and shortly thereafter, were helping Dave Stein and Steve Reddy organize the all-ages shows. Futile Effort became Combined Effort and the glorious Sam & Jay era of Albany Style Hardcore began.

-I know you hated your time spent in Albany, most of us do...What positive things do you think came out of being raised there?

-The Albany Hardcore scene of the 80’s through early 90’s was truly great before and after I left my mark on it. I put a lot of my heart and soul into it, making all those calls to bands to put those shows together, putting the flyers up all over town, and taking the heat, and forking over the money when the halls got trashed. But the scene gave me back more than I ever gave it. Even though I rarely go back to visit, and don’t see Albany people that often, whenever I meet them again, be it years later, the kinship and connection is always there. 



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Jason & Sam with NYPD(note the burning twin towers graffiti)

-Who Moved To NYC first, you or Sam? How did you meet Neil and Adam & What made you guys play music together?

-Sam and I moved to Manhattan in 1987 to attend college at The New School for Social Research, a university so stacked with leftwing extremist nutjobs that Sam and I were by far the most normal people there. John Kriksciun, the drummer of Life’s Blood knew of me from our fanzine and when we first ran into each other at Some Records, he asked me to rehearse with them. I liked their sound, especially John’s metal tinged drumming, so I was excited to join.

-How many shows total did you guys play & How many of these shows were in Albany?
Jason-We played Albany twice I believe – Once with Warzone and another time with Soul Side and King Face. I think I played something like thirty shows with Life’s Blood, including live sets on WNYU and Pat Duncan’s show on WFMU. The last thing I did with them was a mini-tour with Beyond, Project X and Judge which went as far as Cleveland Heights, OH. Steve Reddy chauffered us around in his van, and we had a great time. However, I learned that I really hated riding hundreds of miles seated on a Marshall amp.

-What is the most memorable gig you guys played, and why?


-When Agnostic Front OPENED for us (because one of them had to get to the airport) and the crowd was already pumped up. It was a big Long Island heavy metal club. There were long haired speed metal freaks, suburban skinheads, and punks with blue mohawks, all going nuts. AF had left beers onstage and I was pitching half-full beers right at people’s heads and swinging the mic around like a mace, connecting with more than a few noses. I also went on a rant against Youth of Today doing a video for MTV, which got back to Ray Cappo and of course, led to a huge bloody fistfight in front of CB’s that Sunday.

…Not really. I don’t think Ray lost any sleep over it.

After the Long Island show a metalhead I had hit with a full beer and was bleeding badly from the mouth ran up to me, yelling “DUDE that was fuckin’ awesome! You were going off! This was the best show of my life” and he hugged me and ran off.


-Were Life's Blood straightedge?
-I can't speak for everyone else, but I was all about straightedge at the time. Unless you're going to count the one beer or glass of wine I have infrequently, I still am. Straightedge is really just having the strength to live each day without the crutch of getting drunk or high, or letting some some other obsession rule your life.
-What were your favorite hardcore bands of the time back then? What were your Top 10 favorite punk hardcore records when you were in that band?

-In no particular order, these punk and hardcore recordings were major influences: The Faith/Void Split; Dag Nasty “Can I say”; Negative Approach “Tied Down”; SS Decontrol “Get it Away,” X “Under the Big Black Sun”; Gang of Four “Entertainment”; Joy Division “Substance”; DYS “Brotherhood”; and Black Flag “Damaged.”

I was also listening to Iron Maiden, Judas Priest, Dio, Black Sabbath, Motorhead, The Fall, King Crimson, The Who, Blitz, Cockney Rejects, Buzzcocks; The Rolling Stones, AC/DC, Beastie Boys, Public Enemy, The Jam, The Specials, Madness, The Smiths, The English Beat, The Velvet Underground, Patti Smith, Richard Hell, Talking Heads, The Clash, Devo; Big Black; Throbbing Gristle, SPK; and many others…I got into good music very early thanks to WCDB, the student radio station at SUNY Albany where my grandmother was a professor. 


-So What do you enjoy listening to today? Ever break out the old classic hardcore records? I remember you gave me your copy of the Life's Blood demo when you moved away...I've uploaded it on this site.
I still listen to my favorite bands from the 70's and 80's - and through blogs like yours, have discovered amazing bands that I somehow missed. Like how did I not hear Battalion of Saints or The Mad back in the day?
A couple of years back a band from Finland called Down My Throat covered "Youth Enrage." Every track on that record is blazing - and you owe it to yourself to listen to the whole thing.
I'm packing my music for the roadtrip we're taking next week, and I'm bringing along the old school hardcore, along with some Johnny Cash, Hank Williams, The Cramps, Gun Club, Morrissey, Elvis Costello, Depeche Mode, Revolting Cocks...gotta have something for the whole family. My 6 year old daughter loves singing along with The Smiths "Ask" or Costello's "Pump it Up" and my son who is 4 makes up his own lyrics to black metal and industrial - his songs are usually about Thomas the Tank Engine.





















-Vocally who were you influenced by? The recordings always made you sound so fucking angry and hard, but anyone that knew you, knew that you were a softy. What was really pissing you off at the time?

-My dad. That’s how he sounded when I didn’t refill the ice tray after using the last cube. Ask my brother if I’m joking. I use the same voice when drawing down on a perp…it almost always works, although sometimes too well and the bad guys wind up wetting themselves or worse. I wish I were exaggerating here and so do the trustys at the jail who have to wash my backseat.
But I really wasn’t that angry about much when I was in Life’s Blood. None of us were even remotely political as teens. We were upset about racists in the scene though and I got into a few heated arguments with boneheads – and the Song “Human Power” reflects our feelings about racism – then and now, I’m sure.
A lot of our songs were far from “hatecore” as it’s been described. Many contained very empowering and positive messages: “What’s in their heads doesn’t matter, you believe in yourself.” Stuff that could be on motivational posters in some insurance company headquarters.
Your dad??? get the fuck out!!! He was a big 'ol softy man... I never heard him barking..
When I graduated top of my class from police academy, I asked my dad why he always went psycho on us for forgetting to do chores or other minor things. After all, we really never got into real trouble growing up.
"How many cars did you steal? How many times did you go to juvie?" he asked. He knew that if Adam and I thought he'd pulverize us if we didn't take out the trash, then we wouldn't be doing anything worse. And by God, he was right.


-Did you guys have more songs written that never were recorded? Did you have plans or dreams of doing an LP? 
-If you have both versions of the demo, the Defiance ep, and the CD, you’ve heard just about everything worth hearing. We did a bunch of covers, “You’re X’d,” by Th’ Faith, a song by Crucifix (I forget which one) and a few others, and I did write completely different lyrics to a few of the songs – so for a short while until the band strongly persuaded me to change them there were songs called “Ant Farm” which was about the NYU dorms across the street (they didn’t have window treatments and the girls ran around naked all day and night – it was just awful). “Stick to It” was originally written as “My Girl is Def.” “Def” being 80’s slang for…hell, who knows…
I never thought about an LP record. In 1988, just putting out a demo tape made you feel like a rock star and the seven inch record was king.

-Why did you leave the band? What happened there? I know they played at least 2 other shows after you left with a different singer..

-Life’s Blood was a major time sink and I posted a 2.0 GPA in my freshman year. I was also sick of the fake tough guy posturing that everyone, including me was getting caught up in – so once I put out the 7” and logged a couple thousand miles in the van, I had done as much as I cared to do.


-Do you regret Being involved in the Band? No regrets about it I hope?
-I sang on some tracks that anyone would be proud of. But I was just a kid and I wasn't ready for the attention, both positive and negative, that Life's Blood received. Growing up in public is no fun - just ask any of the child stars - the ones who lived to see 30 that is.

-Have you been in touch with Sam, Adam Neil or any of those guys since the bands break up?

-Not as often as I'd like - I lost John's number when my kids hid my old cellphone and it never resurfaced. I still talk with Sam - he's got one of the best blogs ever: www.loomofruin.com you can link to Adam's blog from there too, and it's also very interesting.

-I recall your brother Adam quit my old band Intent to play bass in Mark Telfian's rendition of Life's Blood with you singing. Why didn't that pan out? What were you guys planing? I know the band later turned into Factory.

-We were going to call the band Life’s Blood and then play Iron Butterfly songs. Poorly. Luckily our first show was canceled because there was a raid on the club a week before. We eventually chose the name Factory in honor of my favorite band, Joy Division, and wrote and recorded our own songs, even played a bunch of shows with MDC around NY and Boston, but my brother and I grew less and less interested in being in a band at that point, and it shows in the lackluster recordings. 



-I was always a fan of your art, and comics that you drew... Shit... I even published some of your 90's stuff in a underground comic anthology that I put out called Scrambled Eggs. Do you still draw, Did you help with the Life's Blood graphics?

-I still collaborate with Wes Harvey, who did the cover for “Defiance” – based on a crappy sketch I did of God Almighty damning skinheads to a pit of fire and serpents.
Wes is a professional artist and historian who works for the Baltimore Sun newspaper. I have edited his comicbooks “Invisible Soldiers” (Garrison Publishing) which are based on his research and interviews with black, Jewish and other disenfranchised soldiers and sailors who fought in WWII. We have also completed the work on a comic called “Forced Labor” which is so dirty that we are going to use pen names. We haven’t done anything with it yet, so pester Wes if you want to see it in print, because he has been busy with other projects and is worried that this book will tarnish his reputation as a serious artist. 



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-Did you write all the lyrics? Do you recall who wrote most the songs? What was your all time fav Life's Blood song?

-Adam and I wrote all of the lyrics – some like “Youth Enrage” and “Human Power” were mostly his, and others like “Never Make a Change” and “Resist Control” were more mine. It’s easy to tell who wrote what – my stuff screams “college boy” and is full of obvious literary references: “All that is solid melts into air” and “trust the unity of money and machinegun” are among many lines borrowed from the pantheon of world literature, i.e., plagiarized.



-I recall When you moved back to Albany, and I'd talk to you at your parents house, you seemed pretty bitter about your past experiences with "the scene", and hardcore in general. Do you still have those feelings? could you describe the issues you had, or have? It sort of had a impact on me, and made me wonder why? Today I understand, as I think I've gone through the same shit.. scene politics, etc.

-The hardcore scene in the mid to late 80’s was a weird mix of people who might never have been in the same room with one another if it were not for the love of the music. There were kids from upper-income, politically connected families mingling with kids who ran away from group homes. Rich kids who did heroin and poor kids who were straightedge. Those of us who took it upon ourselves to organize the shows, produce the fanzines and play in the bands naturally had strong personalities and conflict was inevitable. In the end, I needed room to figure out life on my own, so I took off to Texas and spent weekends lurking around Mexico, where nobody knew me. There’s no bitterness now – just occasional regret that I wasn’t as good a friend to some people as I could have been.

I should have thanked Raybeez (of Warzone, of course) for always looking out for me when I was running my mouth and looking for a fight – but I was a hothead kid, and resented his help at the time. After all, he was no saint, and I was all grown up and could take care of myself in the big city…or so I thought.
When I heard that he died, I realized that I never once thanked him for anything – not even for getting me and my friends into the Pyramid for free anytime he worked the door. Guys like Ray you just expect will always be there and you take them for granted. I like to think Raybeez is still looking out for us. 



-You've mentioned to me that you were possibly going to be doing music again? What's that all about?

-There’s a couple of promoters, “old school” musicians and even some well known producers who have been asking me for years if I had any interest in returning with a band. I had none, none at all. But now that my kids are out of diapers (they’re playing violins and doing math), I have seniority and a great schedule at work, my knees are too bad for competitive soccer, and I’m nearing completion of my Masters – I just might have time to do a band for fun.
I’ve been offered a number of club dates in the Northeast this summer, but I don’t even have all of the personnel figured out yet…and everyone I know is just as busy as I am…but since I turn 40 in a week, I guess it’s now or never. So yes, it’s a possibility, but not much more than that at the moment.



-Is this Life's Blood related stuff? What would it be?
-If I can pull this off by the summer, of course we'll do a few of the Life's Blood songs. But I'm not going to be like Springa - getting some hired guns and pretending he's back in SSD.
-Any last words?

I’m already entirely disgusted with this new President who is amazingly looking worse than the last one. I don’t care if you’re a lefty, a rightwinger, or moderate. None of these charasmatic “leaders” have any interest in, or capability to, help you. Our national problems are so complex that they will never be solved, merely coped with. So don’t believe anyone who tells you different, no matter how charming and eloquent you find them.
When we were barely in our teens, kids in the 80’s harcore scene were showing better organizational management skills than many of today’s government and corporate entities. If there’s any way we can tap into the energy and vitality we once had, and take back control of our lives, we’ve got to do it. Now.
-Come on man, no one could look more like a horses ass then George Bush dude! He and his administration have fucked up this country more in 8 years then any president ever! I'm not one to vote on party lines... I hate that shit. I didn't vote for either of the major candidates...because they are both fucked up. I'm hoping you don't consider yourself a Republican?
I'm a believer in Systems Thinking, which scholars like Peter Senge write about. I have also studied W. Edwards Deming and read every page of Juran's Quality Handbook. I can't possibly summarize these works here - but if our leaders would have bothered to read the stunningly accurate predictions these guys made - decades ago - specifically on how to avoid massive job loss - we wouldn't be living in what are probably the last days of the United States of America.
Short-term thinking and bullshit campaign promises have led to a short-term country. We can still get it back, if we do it ourselves - but if you think government is going to fix all of these problems, do yourself a favor and eat a big spoonful of Georgia peanutbutter with extra salmonella.
The Obama brand (a subsidiary of General Electric) got a lot of people excited with lofty promises of hope and change. True to the textbook definition of a charismatic leader, Obama is already carooming from crisis to crisis. "If you don't pass my insane spending bill, we're DOOMED!!!"
But he's offering the same failed, tax-and-spend strategies to deal with these complex problems. The deep cynicism is already setting in, way ahead of schedule. Americans who allow themselves to see reality, have observed that his idea of change is to appoint the same gang of opportunists and political hacks to his cabinet, and then to spend a psychotic amount of our tax dollars on utter bullshit that won't stimulate a goddamn thing besides their friend's bank accounts. There will never be another Obama, because even Americans aren't stupid enough to be tricked as spectacularly as they were last November.

Look at him in the first couple of weeks - he's confronting the defensiveness of his opposition with more defensiveness. That's a rookie mistake that a leader of even the smallest organization would quickly learn is counterproductive. We really could not afford to give someone this ill prepared this much control over our lives. So I'm going to have to put him on ignore and worry about running my own household and helping my own community.

Sunday, February 1, 2009

Some 'Ol Flyers...

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SEPTIC DEATH now that I have your attention, what do I do with it? LP(1985)

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1.quit
2.dream silent
3.child
4.burial
5.terrorain
6.thaw
7.poison mask
8.hardware
9.silence
10.sweat of nightmare
11.core of reality
12.negative threat
13.mental cancer
14.fear
15.advantage
16.control
17.gore story

My introduction to Septic Death was through the Thrasher skate rock compilation cassettes. Although I lived in S.F. for nearly 3 years back in the mid 80's I only ever saw Septic Death once and unfortunately can't recall to much about them live. They played a benefit for Thrasher Magazine with the Drunk Injuns, Accused, and Beyond Possession. The only band I recall clearly was the Drunk Injuns, and at first I thought they were Septic Death(before they started playing, cos they wore cool skull masks). My buddy Kenny and I were visiting my pal Zoran, and we ended up going to Fog Town which was a skate shop on the upper haight street area that was run by some cool punk dudes. One of The singers from Cause For Alarm worked there. We would go there to buy new trucks and have our boards worked on by the "pros". We saw the flyers for this show, grabbed a few up, and put it in our mental calender to make this a show we needed to see. I was dating this girl "Diane" at this point but she came out to the show from out in the suburbs. She came to the show with her friend Christye, and her boy friend Rob who was this big skinhead that sang for this band Alchemicon. I spent most my time touching and watching Diane, when I should have been watching Septic Death.
Septic Death of course were very influenced by foreign hardcore, and brought that raw energy out for all of us to hear in the U.S. There was so much great American hardcore coming out back then that needing to find or hear stuff out side the U.S. in 1985 wasn't really that necessary to me back then. Another record that I've ended up with multiple copies through the years.
Gotta say I was pretty stoked When Jim my band mate from Devoid Of Faith came to practice in the 90's with a letter from Pushead(singer of Septic Death). Dude was/is a total hero as far as his artwork goes. He wanted to release a record by us on his label. I was so happy, this really felt like the greatest thing that had happened to me musically up til then. good thoughts...

http://www.mediafire.com/?kyimwkyzrin